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My Week with Marilyn opens March 8

True Story, Drama, Adaptation | Origin: UK | Official Site

Starring Michelle Williams, Kenneth Branagh, Eddie Redmayne, Emma Watson, Dougray Scott, Dominic Cooper, Julia Ormond, Judi Dench, Derek Jacobi, Zoë Wanamaker, Richard Clifford
Directed by Simon Curtis (feature debut)
Written by Adrian Hodges (based on Colin Clark's books 'The Prince, The Showgirl and Me' and 'My Week with Marilyn')

In 1956, Marilyn Monroe came to Britain to make a movie at Pinewood Studios with Laurence Olivier. This was the tense and ill-fated light comedy The Prince and the Showgirl, scripted by Terence Rattigan, a film that became a legend for the lack of chemistry between its insecure and incompatible stars.

The story is told – or part of it – in this intensely enjoyable, entirely insubstantial movie featuring glorious performances from Kenneth Branagh and Michelle Williams as Olivier and Monroe, participants in a love triangle of two stars and a nobody. The whole thing is seen from the standpoint of the film's star-struck third assistant director, Colin Clark, son of the great art historian Kenneth, and younger brother of the notorious Tory MP Alan. The movie-mad youngster had wangled a job in Olivier's production office, been hired as a dogsbody on the movie, and something in this pretty ingénu caught the eye of Marilyn herself. With her genius for enslaving dazzled men to a courtier's life of gallantry and self-abasement, she made him her confidant and helpmeet. In 1995, Clark published his diaries from that time, but then in 2000, landing a deferred dramatic punch, published a further memoir – on which this film is based – revealing an intimate, romantic week alone with Marilyn when her husband Arthur Miller had gone away. Of course, he fell hard for the bewitching star.
Eddie Redmayne does a very good job as Colin, but the scene is utterly stolen from him in various ways by the two above-the-title players. Branagh is tremendous as Olivier: this is a part he was born to play. It is a complete joy to see Branagh's Olivier erupt in queeny frustration at Marilyn's lateness, space-cadet vagueness, and preposterous Method acting indulgence.
However, in art as in life, Olivier's spotlight is taken away by Marilyn, played terrifically well by Williams: this is a figure she recreates, not by hamming up the pouty lips and breathiness, but the scared and brimming eyes, wide with unshed tears – terrified and angered by the thought of another explosion of temper from "Sir Olivier". She is childlike and yet always aware at some unconscious, almost physiological level of how she is shaping and controlling the situation. Olivier is furious at the continued presence of her acting coach, Paula Strasberg (Zoë Wanamaker), but Marilyn's key strategic victory comes when Sybil Thorndike, played with robust wit by Judi Dench, sides with Marilyn in an argument and tells Larry not to be a bully in front of the entire crew: a betrayal that sours him permanently.
My Week With Marilyn is light fare: it doesn't pretend to offer any great insight, but it offers a great deal of pleasure and fun, and an unpretentious homage to a terrible British movie that somehow, behind the scenes, generated very tender almost-love story.
The Guardian